Chapter 1: Best of Both Worlds: Improvising with the Lydian-dominant scale
Chapter 2: Alternative Routes: Implying a tritone substitution over a ii-V-I progression
Chapter 3: Any Color You Like: Creating modal chord scales from interval stacks
Chapter 4: Inner Stirrings: Creating movement within a chord voicing
Chapter 5: Smooth Moves: Step-wise voice leading in a cyclical chord progression
Chapter 6: Made for Guitar: Cool and unusual applications of the pentatonic scale
Chapter 7: Blues Detours, Part 1: “Extreme” chord substitutions for the first four bars of the blues progression
Chapter 8: Blues Detours, Part 2: “Extreme” chord substitutions for bars 9–12 of the blues progression
Chapter 9: Blues Detours, Park 3: Applying “extreme” chord substitutions to the first and last four bars of the blues progression
Chapter 10: Blues Matrix: Applying “constant-structure” chord qualities across the 12-bar blues form
Chapter 11: Out of Dorian: Shifting fourths in and out of the Dorian mode
Chapter 12: Take Your Pick: Comparing and combining alternate picking, sweeping and slurring
Chapter 13: Onward & Upward: Transposing melodic sequences through the cycle of fourths
Chapter 14: New Pathways: Sequencing arpeggios with double-stops and Coltrane changes.
